Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

Japanese silk fukusa with yuzen technique and sumi-e hand painting. The shimmering effect of the water was achieved by the delicate use of silver surihaku. Red embroidery on the crane’s head and some white embroidery on tail feathers highlight those features. On the reverse is red rinzu silk with a large peony motif. All four original tassels are still intact. There is a break in the boarder thread in the upper left corner (see last photo) but could be repaired. Otherwise in very good co...

This lovely late 19th C Ko Kutani bijin is holding two opened fans with a flower on her head. Exquisite features and detailing, this already highly collectible Ko Kutani figure is even more special because the flower also serves as a candle holder. In very good condition, she measures 11" or 27.9 cm high.

A fabulous dark royal blue Nagoya obi with painting of men crossing a bridge. Screen printed with some hand painting, the figures are drawn in a modern art deco style. Early Showa. The obi measures 38” to the fold and 12” wide. The main scene measures 10” high x 12” wide. The smaller scene on the folded area measures 13” x 6” and is repeated on the back side. There are some minor age spots on one of these scenes, other wise obi is in very good condition. The whole obi measures 15...

Two unique blue and jarlets being offered as group. 1. a small Binh Taun shipwreck jarlet. 2. a Jiajing jarlet 1796-1820. The condition is excellent with the exception of the shipwreck jarlet that shows wear from burial at sea, otherwise the group is perfect without any further flaws, no chips, hairlines, or other damage.

A spectacular Sawankalok brown glaze jarlet dating to the 14th century. It is extremely rare to find these type jarlets in the condition here shown, no chips, hairlines, or other damage. 7.62 cm. or 3 inches high.

A lovely Japanese fruitwood tray produced in the late Taisho period. The scene was hand carved with a thin gold gilt applied in the carved areas. The tray was made from one piece of wood and has a beautiful warm patina. In excellent condition, it measures 10" diameter and the rim is 1.5" high.

A very rare and wonderful first edition of the book 'Japanese and Oriental Pottery' by Hazel H. Gorham, who is the wife of William R. Gorham, who is the forgotten father of Japanese industry, known for his engineering contributions to the Canon camera company and Nissan motors; Mr. and Mrs. Gorham emigrated to Japan in 1918, whereas both of them immersed themselves in the culture, literature, history and arts of Japan.

This book was produced in English in Japan, the dust cover is uni...

A beautifully gold accented imari small dish from old Japan, detailed and profusely decorated with tendrils and flora with a well painted mythical Kylin; the contrast is simply stunning and well defined, condition is excellent and the enamels well preserved, minor glaze imperfection on the backside, but hardly worth mentioning save for accuracy sake, we date this beauty to the Meiji period pre-1900. Measurements: 10.16 cm diameter (4 inches)

A beautifully preserved Han dynasty amber glazed lidded hu jar (221B.C.-206A.D) with the original kiln supports fully intact, located on the foot. The jar is free from any hairlines or repairs. The glaze is nearly and entirely intact, just slightly grazed in spots. It is extremely rare to find an amber glaze jar from the Han dynasty. It is even rarer to find one with its intact lid that is free from repairs. This is a very worthy and rare example that will enhance and add value to any seriou...

A very rare Jianyang temmoku wine jar of Song dynasty (11th to 12th century) that has the characteristic black body clay, traces of burial earth are left intact around the handle and mouth areas of the vase for authentication purposes. The typical thick black glaze with the aforementioned black body clay, clearly designates the origin about 230 km from Jingdezhen in the region of Jiangxi province. Condition is very good without any hairlines, chips, or repairs. The glaze is slightly worn in t...

A very beautifully rendered Japanese treasure ship with intricate details that are just amazing, this large cast iron antique is lacquered with the 'old red' traditional lacquer that can only be found on your older Japanese antiques. Its function is rare as it doubles up as a censer, fine slit holes are found in the front and backsides of the sail, allowing a fine mist of smoke to create an allusion that the ship is sailing through a fog. This ship measures 14" high x 11" long x 6" wide and we...

This is an exquisite haori. Jackets of this quality, condition, and subject matter are getting increasingly hard to find. Made habutae silk a with brocaded or woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests) and includes the artist signature which appears on the front lower right panel. The inside back panel’s weaving includes the use of gold, silver, and copper-gold metallic lacquered threads. It is in excell...

The Japanese hakama is pleated skirt-like pants that is worn over a full length kimono. Hakama pants originated as an outer garment to protect a samurai warrior’s legs from brush when riding a horse. Today, the hakama is worn as formal attire for Japanese wedding ceremonies (see last photo), dances, and martial arts (specifically, black belt students and Juijitsu practictioners). Black and white striped silk, it measures 36" long, waist to hem.

More about the Hakama:
The...

Healthy Japanese babies adorn this bright red juban. Made of light weight silk with equally light weight white silk lining, this woman's juban measures 48" across the shoulders (including sleeves) and 50" long. In very good condition, it dates early Showa, 1930, though the collar appears to be newer. This is a very cheerful under garment and would be a fun piece to wear as an outer garment.

Made with a stencil pattern and gold surihaku this small child's kimono is in excellent condition. It measures 31½"across the shoulders (including sleeves) and 34"long. It is very soft silk and dates to early Showa, mid 1930s.

Man's soft grey silk under kimono with a painted image of Daruma, the Japanese God of Wishes. Two large coins using the shibori technique cross over onto the sleeves. Two pale peach washes are painted across the image area as well as swashes of small metallic gold flecks using the surihaku technique. This is a very soft, light-weight gray silk with a bright green raw silk lining. Dating to 1930s and in excellent condition, this garment measures approximately 51” across and 54” long.

One of the best shiwan (shekwan) sculptures we've ever encountered, this large masterpiece displays the legendary Laozi riding an ox: Laozi means "old master". It is said that he mounted an ox and headed west, before leaving, the border guard asked if he would write down his ideas, which Laozi obliged to do, thus he wrote the Tao-te ching (Book of Changes). The robes are done in a rich white glaze that is naturally aged with time, the glass-like eyes of the ox reflects the pinnacle of the pott...